Saturday, September 7, 2013

Part 3. Overall Ideation, Aim & Objectives

Overall Ideation


Digital preservation is actually not something new; it had been done by those libraries and archivists for years. But still it is not often exposed to the society and did not articulate well to the people. Hence, people who first heard of digital preservation will think that it is just simply saving some digital data into a digital storage media. In fact, it is a process which involves planning, resource allocation, and application of preservation methods to ensure that the digital information remain accessible and usable. The installation art is entitle “Di.Preserve”. The name came from removing a few alphabets from the words “Digital Preservation”. “Di.Preserve” also means being preserve in Malay language. “Di.Preserve” will be expressing the challenge of digital preservation to the user. The challenges that the user never thinks off that will face by digital preservation will be bringing into the art piece and voice out through it. User will able to look at the challenges and how those challenges affect the digital material in a visual metaphor approach. It is going to be an engaging interactive installation art, which at the end of using it, will able to let the user to actually “preserve” something and “bring” it back.


Aim:


To create an installation art piece that expressing the issue on the challenges of digital preservation.


Objectives:



-          To let user question themselves critically on the challenges of digital preservation.
-          To let user know that how fragile and unsustainable is digital preservation.
-          To engage the user and allow them to have fun throughout the process of interact with the art piece.

Part 2. Interview Results Analysis

Below is the results analysis of the interview:



My assumption saying that most of the people are not familiar with digital preservation is correct. During my interview, majority of my interviewees are not familiar or never heard of it before. However, most of them would still able to guess the meaning of it by looking at the term “digital” and “preservation”. Although their guess answer is not the real definition of digital preservation, but the answer is consider correct in part of it. This is because people nowadays are living in a world full with digital objects; they are frequently exposed to it and are familiar with it. Most of the interviewee thinks that digital preservation is just saving the digital material in any media storage. In fact it is not true. Digital preservation has to ensure that the digital material can be accessed for as long as necessary and its accessibility is the most important issue in digital preservation.

It comes to a surprise that most of the interviewee think that digital preservation is harder compare to preserving analogue items; only a small minority gave the opposite answer. The main reason they are giving this answer is that they aware that digital data are fragile and could be corrupted easily. Most of them always make backup of their important digital data. Other reasons that they are saying digital preservation is a challenge are copyright issue and too much of digital data to be preserved. They able to give the correct answer despite they have not been told about digital preservation. This is also mostly because we are living in a world full with digital technology.

Almost all of the interviewees do not know anything about digital dark ages. This is something very new to them. They did not notice that a lot of important digital objects are lost forever. This happened simply because people are often focusing on the latest and new technology and digital materials, they will neglect those old one since they are being replaced. This is one of the main problems for digital preservation as the society is taught to invest time and effort in creating the new thing rather than preserving the old school items. This is an obvious society phenomenon where people will focus on creating the new, forgetting the old.

All interviewees have different expectations if digital preservation is a topic of an art project. But there are a few expectations which are interesting. One of the interviewee points out that it will be interesting if the preservation processes are being showed in the project. Another one said that music can be used as the concept. “Music” never comes across my mind when I was brainstorming for digital preservation idea, then I only realize that “sound” is an element which I had forgotten. Besides that, interviewee also expects to have interaction with the art project. Interactivity is very important as this will engage the users more.

Monday, August 26, 2013

Part 2. Interviewees Information and Findings:


Interviewee One
Name: Ong Kah Hong
Age: 22
Occupation: Marketing Executive
Studying Major: Media Innovation, Faculty of Creative Multimedia (Graduated)
Interview Recording File Name: “Interviewee1.m4a”

Results:
- View towards digital preservation:
·         Have never heard of digital preservation.
·         Everything store in digital form, so that the next user can access it.
·         Should be accessible using any medium/platform.
·         Should preserve it in good quality.
- Views on challenges of digital preservation:
·         Compare to preserving traditional/analogue item, preserving digital material is easier.
·         Preserving traditional material into digital form is difficult.
·         Said that it’s all about the time and effort used on digital preservation.
- Views on digital dark ages:
·         People should do more back up such as making more system/platform to access those digital objects.
- Expectation:
·         Video showing things to preserve, the process of preserving.
·         A website to talk about digital preservation.
·         Installation which involve interactivity.



Interviewee Two
Name: Cheok Tuan Eng
Age: 23
Occupation: Student
Studying Major: Animation & Visual Effects, Faculty of Creative Multimedia
Interview Recording File Name: “Interviewee2.m4a”

Results:
- View towards digital preservation:
·         Have never heard of digital preservation.
·         Not much view/opinion on digital preservation.
- Views on challenges of digital preservation:
·         Think that copyright issue is the main challenge.
·         Not much view/opinion on challenges.
·         Not aware that media storage is fragile.
·         Feel that it’s not secure to store digital data due to data corrupted.
- Views on digital dark ages:
·         Everyone is able to access the digital information.
·         No more restriction in accessing it.
·         No more privacy.
- Expectation:
·         Preserving something important in digital form.
·         Data got corrupted.
·         Showing the insecure of digital preservation.



Interviewee Three
Name: Gary Lim Teck Yi
Age: 21
Occupation: Student
Studying Major: Advertising Design, Faculty of Creative Multimedia
Interview Recording File Name: “Interviewee3.m4a”

Results:
- View towards digital preservation:
·         Have never heard of digital preservation.
·         Preserving digital art and digital media.
- Views on challenges of digital preservation:
·         As compare to preserving analogue item, digital preservation is harder as it needs a lot of man power.
·         Because of too much digital data have to preserve.
·         Preservation technique is hard.
·         Aware that the fragility of storage media, had just bought hard disk for back up purpose.
- Views on digital dark ages:
·         Agree that preserving the digital objects now is important, as it will become the history in the future.
·         So that the future generation can access the digital information.
·         Preserve those digital media before it is corrupted.
- Expectation:
·         A public event or campaign, telling people to do digital preservation.
·         With good strategy in promoting it.
·         Use music as the concept to introduce people about digital preservation.
·         Because teenagers did not listen to old music, use old music as the initial idea to develop the campaign.



Interviewee Four
Name: Cham Yang Hui
Age: 20
Occupation: Student
Studying Major: Media Arts, Faculty of Creative Multimedia
Interview Recording File Name: “Interviewee4.m4a”

Results:
- View towards digital preservation:
·         Heard of digital preservation during class.
·         Digital preservation is digital material saving in hard disk or computer.
·         Digital camera is like a kind of digital preservation.
·         Documentation of information in digital form, instead of analogue form is a kind of digital preservation.
- Views on challenges of digital preservation:
·         Easy to preserve, but easy to lose the digital data as well.
·         Digital objects can be lost simply with a “delete” button.
·         Storage media is not secure, digital materials will get corrupted without notice.
·         Due to that, backup of digital materials is needed. And hence it used up the space of media storage.
- Views on digital dark ages:
·         The old digital object is replaced by the new technology.
·         Old digital object did not preserve well and it is lost forever.
- Expectation:
·         Having two computer transferring data to each other.
·         Let people to feel secure on saving the digital information in the media storage.




Interviewee Five
Name: Tang Wai Yung
Age: 22
Occupation: Student
Studying Major: Interface Design, Faculty of Creative Multimedia
Interview Recording File Name: “Interviewee5.m4a”

Results:
- View towards digital preservation:
·         Never heard of digital preservation.
·         Preserving the technology for future usage.
·         Not much view/opinion on digital preservation.
- Views on challenges of digital preservation:
·         It is not easy because there is too much digital information to be preserved.
·         Select which digital objects to be preserve is the issue.
·         Aware that storage media is not secure.
·         Digital file get corrupted easily, will be affected by virus as well.
·         Making backup file to prevent corrupted.
- Views on digital dark ages:
·         Everything will be in digital form in the future.
- Expectation:
·         Some history that have not been preserved.
·         Preserve those digital heritages in digital form.

Part 2. Interview

Interview
One on one interview had been carried out in order to develop the idea and content of this project. The reason that one on one interview method is selected instead of survey form is that, I had make an assumption that the people have very limited knowledge on digital preservation, or maybe close to zero. If survey form method had been carried out, the results obtained would not be much helpful in idea and content development. One on one interview would be helpful as I would able to explain to them regarding digital preservation and hence able to get useful findings.
Target Interviewee:

FCM Student or People in Creative Field


The reason that this group of people is selected to become the interviewee is that art exhibition will be mostly visited by this group of people. It would be a better choice to interview them and understand their views on digital preservation.
Objectives of Interview:

·         To understand how much the people understand/know about digital preservation.
·         To know their views/opinion on digital preservation.
·         To get ideas on content development which will be useful in project execution.


Interview question will focusing on 4 main components:

·         What is Digital Preservation?
·         What are the Challenges?
·         Understanding on Digital Dark Ages
·         What expectation if it is an art project?


Interview flow is designed in a way such that it provides two possibilities answer options from the interviewee. Be it which answer options the interviewee gave and at the end of the interview, the objectives of survey would still be reached.



Reference for Part 1

Dempsey, L. & Lavoie, B. (2004). Thirteen Ways of Looking at…Digital Preservation. D-Lib Magazine, July/August.
  
http://www.dlib.org/dlib/july04/lavoie/07lavoie.html

Kuny, T. (1997). A Digital Dark Ages? Challenges in the Preservation of Electronic Information. 63rd IFLA Council and general Conference.

Hedstrom, M. (1998). Digital Preservation: A Time Bomb for Digital Libraries. Computers and the Humanities, 189-202.

Shing Chen, S. (2001). The Paradox of Digital Preservation, March, 24-28.


Lee, K.H., Lu, R., McCrary, V., Slattery, O. & Xiao, T. (2002). The State of Art and Practice in Digital Preservation. Journal of Research of the National Institute of Standards and Technology, 107, 93-106.

Part 1. Research Material: Challenges of Digital Preservation bringing forward into a Digital Dark Ages

Digital preservation does not only preserve the digital contents, in a sense that it actually preserves the culture, heritage and history. Public understand the important of our history and heritage and thus most of the heritage buildings are being well preserved. Public without realize that digital preservation is such important that it is closely related to our culture, heritage and history. If you had been wondered how digital contents nowadays are related to the history. Do not forget that the current will be the history in the future.
The purpose of preservation is to protect information of enduring value for access by present and future generations (Conway, 1990:206).
Monks and monasteries played a vital role in middle ages in preserving and distributing books, which provided much of our present knowledge of the ancient past and heritage. However, the historical record of text has been carried by librarians and archivists within private and public libraries nowadays. How we are to preserve the historic record in an electronic era where change and speed is valued more highly that conservation and longevity. We are moving into an era where much of what we know today, much of what is coded and written electronically, will be lost forever.
The following observations of our present environment showed that we are living in the midst of a digital dark age:

-          Enormous amounts of digital information are already lost forever. We are unable recreate a digital history because it was no archived properly, it is unable to access because the information is on out-dated word-processor files, and old database formats, or saved on readable media. Many large data-sets have been made obsolete by changing technologies, punch cards and 12’ floppy disks.
-          Information technologies are essentially obsolete every 18 months. This represents a greater challenge than the deterioration of the physical medium. Many technologies often without backwards compatibility and ability to handle older technologies.
-          There is a proliferation of document and media formats, each one potentially carrying their own hardware and software dependencies. Merely copying bits is not sufficient for preservation purposes; if the software for making sense of the bits is not available, then the information will be, for all practical purposes, lost.
-          Financial resources available for libraries and archives continue to decrease, because not effectively made it into public policy. There is little enthusiasm for spending resources on preservation at the best of times and without a concerted effort to bring the issues into the public eye, the preservation of digital information will remain a cloistered issue.
-          Increasingly restrictive intellectual property and licensing regimes will ensure that many materials never make it into library collections for preservation. Whether corporate owners will develop a public-spirited interest in providing this archival role for future generations and whether the resources will be accessible to the public.
-          The Commission on Preservation and Access suggests that the first line of defense against the loss of valuable digital information rests with the creators, providers and owners of digital information. Preservation is a desktop issue, not merely an institutional one.
-          The challenge in preserving electronic information is not primarily a technological one, it is a sociological one. Product obsolescence if often key to corporate survival in a competitive capitalist democracy.



Digital collections facilitate access, but do not facilitate preservation. Digital places greater emphasis on the here-and-now rather than the long-term, just-in-time information rather than just-in-case.